Romero had quite a lot on his mind, back in the day: Vietnam, the Kent State shootings, a wicked distrust of the military and the Man in general. Eisner has almost nothing on his mind.. It devolves to simple run-and-hide cliches, usually accompanied by jarring musical jolts.. Eisner stumbles in playing up an inherent tension that could have given audiences their own case of the crazies.. [A] respectable update.. If there's a message in all this, it's buried in blood splatter. Which is fine, but ...
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